
Consider that neo-rationalist theory developed in concept during the interwar period and was further shaped by the destruction wrought on Italian cities by the Axis and Allied powers during WWII. These ancient cities were devastated by bombs and warfare. The task of rebuilding Europe after WWII was handled differently depending on the sphere of influence. The West developed the Marshall Plan to attempt to help with the stabilization and reconstruction. Italy accepted the aid, as did many other European nations.
Several nations that had formed under the splintering of the Austro-Hungarian and Ottoman Empires in the early 20th century did not have the buffer of distance or ideology from the Soviet Union to accept the aid. Joseph Stalin controlled a large portion of Eastern Europe, not by actual right of law, but with force of fear and control. This sphere of influence formed the iron curtain that is synonymous with the Cold War.
“I don’t invent, I remember,” Aldo Rossi
In his essay, Michael Hays states that “Rossi assumes history as an uninterrupted event to be studied and explored…” Personally, I believe that architecture should relay some sense of what events shaped it. Florence would not be Florence without the Renaissance. Similarly, removing the past from architecture and placing that building in a historical vacuum is somewhat idealistic. What is interesting to me is this idea of typology and taking an element of the past and expounding and developing that key truth to fit a new space and time. I think this worked well in Italy and many of the other nations as they rebuilt in post-war Europe.
Back to Bosnia and Herzegovina where pre-war architecture was a synthesis of the religions and struggles that shaped the region. A relatively short occupation by the Byzantines infused Eastern Orthodoxy and a rich complexity of color and geometry to the architecture and region. The Ottoman Turks brought onion domes and magnificent mosques and palaces. The Austro-Hungarian Empire provided a third influence- the West. All meshed to create a unique culture and tension to the region.
"Dance with the devils in beautiful buildings..." The Veils, Vicious Traditions.
WWII ripped an irreparable tear in the fabric of the region. The differing peoples and ideas that had lived together in a tenuous accord were now destroying each other. I do not believe that architecture can flourish in a time when there is no stability. Ideas can flourish (as in interwar Italy). Architecture does not. While the regime of Joseph “Tito” Broz was removed from Stalin (they despised each other), Tito was not handing out civil liberties left and right. He was a charismatic leader and considered a war hero. He did save Yugoslavia from Stalin in a way that no other leader of Eastern Europe achieved. The price for that sliver of freedom under autocracy was mounting ethnic tension and government suppression.
Communist architecture in what was then Yugoslavia was neither rational nor functional. Whole families lived together in tiny apartments in these massive blocks of concrete. These families often shared that tiny apartment with complete strangers. Their only privacy was a screen fashioned from pieces of fabric or wood panels. This is where architecture fails. When the politics of the time necessitate suppression of the very basic expression of comfort, architecture fails. This is where I see a certain rationale to autonomous architecture. If the politics and place are so extreme as to wipe clean the entire concept of architectural memory, then yes, I prefer autonomy. Give it nothing or give it something, but don’t kill it.
The 3 year war between the Bosniaks and the Serbs (1992-95), brought an unprecedented cruelty to the region. The Serbs systematically slaughtered Bosniak men and boys in acts of genocide. The cities were, once again, destroyed. The whole infrastructure collapsed. These beautiful cities that were infused with a great and rich history were leveled and left in ruin. Moreover, the ethnic tensions continue to destabilize the nation. The current government’s policy of power-sharing provides no safety or security.
The question becomes how do you rebuild in a climate of instability? Particularly when the first buildings necessary are government facilities and housing. Do you choose an architecture autonomous of the history or do you choose an architecture that builds off memory and typology? While tempted by the intrinsic honesty of autonomy in any region where extreme politics prevail, I feel this region has such a rich architectural history that it would be unjust to remove that. Perhaps, a typological approach would be the kindest. Move on, but with a knowledge of that which preceded.
If interested, here is a link to a New York Times article on the recent elections: Ethnic Wins in Bosnia May Cause Deeper Splits.
Photos: Beg's Mosque, Sarajevo, Mimar Sinan, 1531; Communist-era housing, Sarejavo, in ruin after the Bosnian War; Concept for the Sarajevo Concert Hall; Urban Future Organization, 1999.
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